There are stories that, even as they approach their ending, still have a lot to reveal. And if something runs through the young leads of Margarita, it is precisely that sense of closing a chapter while, at the same time, new doors begin to open. Mora Bianchi, Lola Abraldes, Mateo Belmonte, Ramiro Spangerberg, Benicio Gravier and Franco Yan are part of a generation that grew up in front of the cameras and who today are moving through a new phase of Cris Morena’s fiction, marked by revolutions, changes, the bonds that persist and the emotions that lie beneath the surface.
Within the framework of Para Ti’s 104th anniversary gala, under the concept “Latency”, the young protagonists dared to speak about the ending of Margarita, the impact of these years of work, and everything they take away from an experience that, for many, meant far more than a TV series. There was also room to discuss fashion, identity, and new ways of expressing themselves: a night in which every look was, too, a way of telling who they are today.
“I’m very happy. These are days of closing cycles, stories, songs… there’s a bit of everything. You’ll encounter many changes in the plot and in the relationships. Something you might not have expected could happen. The stories are beginning to wrap up: it’s like the happy ending of this great series. The first season was the beginning, the second was a transition, and this one brings revolution, loves and heartbreaks,” reveals Mora Bianchi to Para Ti.
Joining the conversation is Lola Abraldes, who embraces the notion of revolution and says that “all the characters start stepping out of their own worlds.”
And Mateo Belmonte adds: “I’m happy and I can’t wait for everyone to see what’s coming. Being part of this was a huge experience. I hope Cris’s world doesn’t have an end for me and that it goes on for a long time more because it left me with a great learning.”
Another member of Margarita who appears on this cover is Ramiro Spangerberg, who confesses feeling nostalgic about the end. “I will carry my fellow cast, friends and the people I met with me forever, both here and in Uruguay, over these four years,” he says.
In the context of a night where fashion was the focus, under the motto of “latency,” Pilar Masse dares to define what the concept of fashion means to her: “It’s my mood, what I feel like expressing that day and I always try to stay true to it. I don’t chase trends, but I don’t fully align with them either. I keep the same style I’ve always had and I maintain it.”
In the same vein, Lola says she loves posing, giving it her all, and having a great look, and the key is to, “try on different outfits until you find the one that makes you feel comfortable and empowers you.”
“I’ve only recently started discovering fashion, and it’s starting to be more fun. I began researching, so now I can truly enjoy these events. I love the preparation, planning the look, and the whole outfit with my team. I’m really enjoying it,” Mora comments.
And she admits: “It used to be hard for me. It felt like I left school and suddenly had to learn to dress and present myself. Now I feel I can enjoy it much more.”
Benicio Gravier, Margarita’s Major Breakthrough
“I feel very comfortable and happy in this acting role. I can see myself in the future: I’d love to continue acting and playing other characters. I enjoy it so much; I’ve found a place where I feel very at home and where I sense I still have a lot more to give,” he tells Para Ti, the son of Valeria Mazza and Alejandro Gravier.
“They and my whole family support me a lot. They have always believed that each of us should do what we are passionate about. My sister has been an artist since she was little, she sings and dances; today she’s in musical theater. The family already had that artistic side, but now I joined in as the surprise,” he finishes.
And he shares an intimate moment: “The other day, while watching the episodes, they looked at me and said, ‘Ben, what a ride, you did all this.’ It’s wonderful to see the whole process and how much I’ve grown in so little time. Personally, seeing their reactions gives me satisfaction because if they’re like that it’s because I did something well. I’m very happy, enjoying it to the fullest.”
“For the media side, my mom gave me a lot of advice. I think it’s incredibly important to know how to communicate and to be able to tell what you want to convey. She’s always been a superb speaker since she was young, something she was born with but that also requires work, and we talked about it a lot. At first she was worried, and I understood the concern of being well prepared for tomorrow and conveying what I want to communicate. Since we live together we discuss it, we watch certain interviews together, and everything helps to keep improving,” he reveals.
With a family lineage tied to fashion, he sees this concept as a form of expression: “Seeing my mom, who’s always perfect everywhere, who loves fashion and trying new things, for me too it’s a space to dare and try different things. I love trying on clothes I might never have worn or certain new colors. I use events like this as opportunities to say: I try something new and express myself. Everyone can find their own way, and that’s the beauty of fashion.”
Franco Yan, another member of the younger generation
“Working with Cris (Morena, his grandmother) is wonderful because she also lets you contribute from yourself, and for an actor that’s spectacular because it means collaborating. I never felt conditioned at any moment. I am a professional who will do his job the way I was trained. Whoever it is, whether Cris Morena or Martin Scorsese,” he asserts.
“Everything is different,” he defines when talking about the end of Margarita. “I feel that as the series and the story progressed, everything changed and evolved. There’s something very different in the characters due to the circumstances; the conflict becomes much bigger, and things that were hidden start to happen and now come to light. It’s a constant mix of emotions for all the characters,” he details.
Art: Roshi Solano
Production: Rocío Solano, Gustavo Ramírez and Darío Alvarellos
Para Ti Gala: an unforgettable night
With its stately architecture, French-inspired details, and an atmosphere that blends history and sophistication, the Basavilbaso Palace was the chosen venue for the Para Ti Gala. A unique space that, with its timeless elegance, made the night even more special.
Betano was part of the Para Ti gala with an activation inviting the night’s stars to experience something different, aligned with its entertainment and fun proposition.
Drean joined the Para Ti gala with a proposal that blended design, innovation, and technology, and surprised guests with an exclusive preview of its new era, through a sneak peek of its upcoming release.
Bodega Escorihuela Gascón supported another edition of the Para Ti Gala, pairing a selection of its wines with a night celebrating the evolution of fashion and contemporary culture. This participation aligns with the brand’s strategic vision of inhabiting culturally relevant spaces, connecting its legacy with the platforms and conversations that define today’s cutting edge.
The Gala’s security was handled by Perroti, who accompanied the invited figures throughout the night.
In line with a night that celebrates fashion, the Para Ti Gala’s setting was managed by Mónica Pons Eventos, with a sophisticated and stylish presentation that complemented the Basavilbaso Palace’s elegance. @monicapons_eventos
Integrated production: Matías Rosado
